MAH AAC CET 2018 Syllabus has been announced for admission to undergraduate Visual Art Courses (Fine Art And Applied Art) for the academic year 2018-19. The candidates can check which subjects and topics are likely to be included in the entrance examination through the syllabus of MAH AAC CET 2018. Candidates aspiring to get good scores must have good knowledge of the MAH AAC CET 2018 syllabus. Here we have provided the Complete Syllabus of MAH AAC CET 2018.

MAH AAC CET 2018 Syllabus – Fine Arts

Syllabus of Examination of All Practical & Theory Subjects will be same as previous year. The MAH-AAC-CET 2018 will consist of three practical papers each paper is of 50 marks and one objective type theory paper which is of 40 marks.MAH AAC CET Syllabus for Fine Arts Subject is given below.

  • Paper I – Object Drawing Practical
  • Paper II – Design Practical
  • Paper III – General Knowledge
  • Paper IV- Memory Drawing Practical

Syllabus For the Paper I Object Drawing Practical

This is the practical paper, wherein a manmade/natural specimen will be provided to the candidate. He /She will have to draw a drawing of the specimen on the answer sheet as directed in the question paper. The question will be based to test the Interest of candidate in drawing, proportions, rendering in lead pencil and overall observation.

Syllabus For the Paper II Design Practical

The question will be based to test the Interest of candidate in the arrangement of various forms to create a good design in the given area, rendering in color, and the finishing skill.

Syllabus For the Paper III General Knowledge

There will be questions related to art, craft, design, colour and computer graphics/ computer basics in this paper. These questions will be of objective type. There will be multiple choices of answers to each question. Candidate will have to select a correct answer and to mark it on the OMR sheet provided to him/her.

Syllabus For the Paper IV Memory Drawing Practical

The question will be based to test the Interest of candidate in drawing and arranging the sequence with memory for the subject given, rendering in colour, placement of elements in memory drawing and creating the environment.

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